Archive for the ‘TECHNOLOGY’ Category

CABIN PORN: MORE THAN A COOL TUMBLR.

Tuesday, January 24th, 2012

(Photo – Cabin Overlooking the Pacific by Mark Wickens)

Cabin Porn has spread like wildfire these last few weeks. Surely some of that is down to it’s title, (There’s no better link bait than porn is there?), beyond that, there’s actually something a little bit more interesting going on underneath this staggering collection of beautiful shots of Cabins. All collated, they start to reflect a rising sentiment that has swept over social networks (and therefore the ‘Digerati’) at the beginning of 2012.

“The Joy Of Quiet”

The article in the New York Times popped up towards the end of the 2011. It raised a very pertinent question at the end of a very exhausting year economically, socially, politically and crucially, technologically.  Have we lost the ability to enjoy peace and quiet?. An even handed argument for the profound benefits of technology, and social networks was presented, but also sounded a warning. In the whirlwinds of our technological advancements, we were in danger of losing our ability to switch off, to enjoy those moments of peace and quiet. To just be. That place where actually we can do some of our best, and clearest thinking.

At the end of a transformative ‘social’/internet enabled year for me, it really hit home.

It seemed as though I wasn’t alone in this reflection. ‘Quiet’ was something many of us had been ignoring. See, the idea of doing nothing in the 2010′s, especially in the peer pressure-24/7-content-factory that our social feeds have become are now persona-non-grata. Everyone is now multiple media node. (And as the article points out for teenagers, who have grown up with the web, this is even more true). No-one is off. People now even pay to be removed from their devices. I know that I personally have Freedom installed on the machine and on more often, ready and waiting to shackle the Internet’s Pandora’s Box of delights. But this is great for desktop, but what prevents you picking up the iPad or iPhone?. Nothing, but your own willpower.

Social connectivity is pervasive.

The article clearly hit home. Some of the people that I respect the most in my twitter stream posted it, many of the people that I know had made significant life choices in 2011 (looking at you UberBlond) wrote about the moment of pause that the article reflected. This unassuming article  stuck in the middle of the NYT, seemed to stop alot of people in their tracks. It resonated in other ways, in the way that many people had renounced their previous careers, to pursue something more, something that they loved and in that way, created their own level of quiet. Their own freedom. The article suddenly took on more multi-faceted elements.

At Christmas, the pace of media (naturally) slowed. A quirk of the British holidays (gawd bless ‘em), meant that the time off was actually rather lengthy. I for one spent lovely languid days in a deserted London, catching up with friends, loafing about in the Cow in Notting Hill, escaping the East London fug, and generally taking shit out of fourth gear. It was great.

I also took a long hard look at how much I was sharing, (which in truth, had moved towards more talking as opposed to sharing as my interactions with multiple Twitter people, who I would now call friends, had evolved). I reflected on how much time I would refresh my feed, even if only for that extra new tweet on my phone. It was getting a bit nuts.

I vowed to try and create a space in 2012 for the Joy Of Quiet myself. Naturally in January, this can look like a hollow ambition, more akin to Protestant guilt than actual change. I’m skeptical of cold turkey. However, I do believe in moderation. That moderation through January has helped slowly subside that killer FOMO moment. I haven’t opened up Twitter on my iPhone since January 1. I have a renewed focus, more time to write, (and I mean write) things, like this. Long things, thoughtful things. (I know Mr Tait & Mr Kinsella are sharing the same sentiment with their blogging habits). More time to sit, read, listen to music, drift away, and wander. Things that I’ve loved doing from the moment I first moved to London. More focus on what I want to do and achieve in 2012. (Big moves, big things).

While I adore things like Twitter, and Instagram, and have been life-changing platforms for me, they also aren’t going anywhere, it’s OK to miss out, to keep quiet sometimes.

Which brings me back to Cabin Porn. If the Joy of Quiet was the written manifesto of evolved internet interactions is 2012. Then Cabin Porn is it’s visual doppelganger. Take a close look at these photos. The most interesting images here are not the beautifully stylised homes on Lake Tahoe or in an exclusive upstate enclave. They are the ones of little shacks, seemingly period pieces from gritty Westerns or rural Apalachian nowheresvilles.

Their remoteness, and therefore disconnectedness, is the true appeal. They are places to write, to create, to contemplate, to escape. They are the 21st Century communes. They remind me of a hippy utopia, or films like Vanishing Point. They are silence. Incredible, magical silence. Even with all the technological, social, economic and cultural upheavals around us, sometimes we just like to “Get Back to the Garden” (as Joni Mitchell put it). We would do well to keep these images in our mind, lest, go and explore them ourselves. Cabin Porn is the The Joy Of Quiet.

ENHANCING EXPERIENCES.

Monday, December 19th, 2011

One of the most consistently inspiring companies out there is the guys from Northern Sweden, North Kingdom. There year has been punctuated by many excellent projects. From Volvo Cross Country Travels (Which I blogged about last month), to the extensively chronicled ’Three Dreams Of Black’ project with Google Creative Labs.

That last project provides one the examples in this presentation from Alfredo Aponte. Entitled ‘Enhancing Experiences with Animation’), it shows how animation (not in it’s Pixar/Dreamworks configuration) is one of the most essential elements to any genuinely successful product, project or campaign. The metaphors he draws upon to describe great UX are smart and help demystify and clarify in equal measure. So this presentation works well as both an introduction to the subject and and clear opinion piece for those with a keen interest  in the discipline. Well worth a read.

 

HUDS & GUIS.

Sunday, August 21st, 2011

The blog HUDS AND GUIS, has proved to be a fascinating education, and opened up a vast hub of inspiring design work. This truly is one of the most essential bookmarks of the year.

The blog itself is a list of interesting work from both films and adverts that incorporates digital interaction. Minority Report is widely regarded as one the first (and best films) to bring to life the near future of technology in a realistic and authentic way. From those (very successful beginnings), the list of films that has applied excellent examples of HUDS has grown. Culminating this year with the stunning work created for TRON Legacy. (Which was every single design geeks wet dream…)

There’s lots and lots to explore here that frankly, isn’t going to be done justice by my brief introduction. What is fascinating is how close the future of film, has come to reflect our own contemporary UI trends. Which is really is a credit to the designers who worked on these films, (especially the work of Jake Sargeant over at MN8) as well as (dare as I say it) The holloywood filmmakers who sought out this expertise in the first place. A fascinating journey, and one that is highly recommended.

The Jumpman 23 HUDS & GUIS in action:

K.A.R.L.

Thursday, July 14th, 2011
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Love this work from my friends over at Work Club. As ever with the guys over there, they’ve taken a brief that would befuddle many and created a fantastically fun and irreverent interpretation of the ‘Leave an Impression’ brand essence for Whiskey brand Ballantine’s.

K.A.R.L is a Parisian tattoo artist, who, through facebook, creates the first ever tattoo done live on facebook. The killer bit here is the tattoo itself. The QR (shudder) code embedded in the tattoo is actually quite awesome, and will bring a smile (literally) to your face.

The good news is ‘The Human API’ has now moved onto J.A.M.I.E the robot ice sculpture, with equally bizarre, but surprising results.

Looking forward to more insights from inside the Human API.

GRID.

Wednesday, July 13th, 2011

More great work combing music (from the band Mathon) and gesture technology to create a multi-touch sound visualisation. There are some nice touches here, and is a cool example of how technology and music are converging in more and more diverse ways. Would love to have a play of this, but for now, we’ll just have to work with the video above.

ADA 2.0b

Thursday, June 16th, 2011

Interesting art performances that explores real time programming and coding relationships in in the ‘Kernel’ – the bridge between the applications on your machine and the CPU & Memory.

A project from Ricardo Brazileiro and Jeraman. The project is an attempt to map rhythm and sounds created by the coding rhythms generate within the Kernel itself. Named after Ada Lovelace (credited as the first ever ‘programmer’ with her work on Charles Babbage’s Analytical Engine), the performance, as it layers code upon code, moves from the sound of an early analogue Moog, to something more dark and layered, a Throbbing Gristle-esque din. I love the chaos that through supposed order (code) seems to be created here. Not quite sure what purpose it serves, but it’s a fascinating experiment nonetheless.

(Via The Creators Project)

BLABLA.

Tuesday, May 10th, 2011

BlaBla is a wonderful interactive story using the full gamut of the browser experience. Each stage of the journey expresses a core principle of Human communication. The film, conceived by filmmaker Vincent Morisset. (and team) the beauty in this is in the immersive audio visual experience, and the gloriously subtle interactive touches that govern and control each chapter and character (just move the cursor around the eyes, see what I mean)

I love things like this, not only because they are obviously labours of love, but the interaction is used to please and surprise at every turn. Inspiring stuff.

(Via Please Enjoy)