RETURNING TO THE FRAY.
It’s been a long while since I last blogged. After 4 years of almost constant blogging, with a few glitches in between, I just stopped. New job, a new life in the USA saw me take my eye off the ball. It happens.
Close to 6 months later, I find myself at the heart of a great digital agency, in a city teeming with digital talent and digital stories to tell and a country that spits out more of these innovations and inspirations than any other.
I was ‘on the fence’ on a renewing this relationship. (As that’s what it feels like). Going back to the Society of the Spectacle is more than just starting to write again. It’s (a soon to be) redesigned site, that reflects something new and intriguing, it’s also a thematic refocus.
A couple of events helped push me back onto the art of blogging. One was an email from a friend, out of the blue, short and sweet, that professed how much she enjoyed the blog. Nothing more, just a word of respect and encouragement. Last Saturday, someone else enquired where the blog had gone. How he had used the blog as a resource for himself, and shared the stuff I had written about with fellow colleagues. In short, what I blogged about had relevance and value to people.
Most of the time, blogging can feel like a selfish act – an isolated place. I never expected my blog to be anything other than a small slice of the creative and strategic world, a bit of a messy hybrid, hopefully getting some clicks and hopefully building a core little fanbase that used it. The Society of the Spectacle was no BBH Labs. But, something about blogging is still hugely therapeutic and cognitive. It allows both long form arguments and little slices of creativity to nestle side by side with each other and have helped shape my own thinking.
Turns out it was more than I anticipated. It was helping to serve people with ideas and thoughts that might have slipped through the cracks. The nature of social sharing these days means we can always see the biggest creative ideas around, but sometimes we miss the these ideas and projects that push and fuel the boundaries of creativity, technology and beyond. It’s the little hacks, the people playing about with things, that are fueling some of the most inspiring work around. If the blog helped formulate my own thinking on digital creativity and culture, I didn’t realize it helped others too, so maybe there is still a small space for something like the Society Of The Spectacle.
So here’s what this blog will be from now on: This is a blog that helps articulate how and where the internet is changing creativity and culture. Showcasing the things built by and for the internet. Not just the creative that goes on it. This as digital practitioners is now our biggest challenge, to help frame this understanding.
The Society of the Spectacle, is named after Guy Debord’s manifesto for the Situationists. Debord’s arguments centered on ‘detourment’. The involvement of “using spectacular images and language to disrupt the flow of the spectacle”. I’ve always felt that detourment is the Internet’s go to truth (just in less pretentious forms); it is the ultimate disruptor of our times. It lives by constant evolution and revolution. Our business (Advertising) is fundamentally changing as a result of it. These detourment lies at the heart of what I want to uncover and put out there for people to see and understand.
It’s time to live again by this mantra from the 1968 Paris Student Riots:
‘Under the paving stones, the beach’.
Thanks for joining me on this new trip.